Queer in the USA
A theatrical inquiry into queer life, public identity, and who gets recognized by the national story.
Details coming soon01 / Writing
I write plays and screen stories that begin in intimate experience and open outward—toward history, identity, culture, and the forces that shape how we see one another.
My work is drawn to contradiction: love and injury, humor and grief, beauty and danger, belonging and escape. I am interested in stories that refuse easy answers without surrendering clarity.
My writing often lives where psychological intimacy meets theatrical rupture: realism interrupted by memory, direct address, doubling, ghosts, ritual, music, humor, and the unruly intelligence of performance.
I am less interested in reproducing life exactly than in discovering the form a particular story demands. The page is a rehearsal room—a place to test structure, pressure language, invite surprise, and make the invisible visible.
“The past does not behave politely.”
Selected plays
A mother, a son, and the difficult work of distinguishing love from disappearance.
Explore the play ↗A theatrical inquiry into queer life, public identity, and who gets recognized by the national story.
Details coming soonIntimate experience and cultural history meet in a meditation on how a life becomes a story.
Details coming soonWhat I bring to the room
Whether I am developing my own work or joining another artist’s process, I bring close listening, structural imagination, humor, and a commitment to finding the most alive version of the story—not merely the neatest one.
Areas of collaboration
A story does not have to be
simple to be clear.